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Recording of the week
Beethoven: The Sonatas for Piano and Cello – Watkins and Bax have a shared impulse to deliver eloquence
Cellist Watkins’ career-long immersion in the composer pays dividends in his pairing with Alessio Bax’s unfussy virtuosity
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Giving and misgivings: opera managers must choose their poison
Tom Service
Review
Unnatural Harmony: Sounds of Lee Alexander McQueen – MOR tribute to a fashion maverick
Opera news
Venice opera house fires government-linked music director after months of protests
Obituary
Michael Tilson Thomas
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Michael Tilson Thomas, award-winning conductor and composer, dies aged 81
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Wozzeck: Wretches Like Us – Berg’s harrowing opera is more adrenaline-inducing than ever
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BBC Proms to celebrate Miles Davis’s centenary and 250 years of US independence
Magnificent minimalism, sizzling Strauss, bracing Berlioz: Guardian critics’ top picks for Proms 2026
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O/Modernt review – from Auerbach to Mahler, the fires of love bruise, batter and delight
Schwarzman Centre opening concerts – a magnificent new monument to secular culture
Turangalîla: Infinite Love review – RPO and 1927 Studios bring Messiaen to joyous and vibrant life
Forged in Sound: Heavy Metal Orchestrated review – hard-rocking mashup rides the lightning
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Sibelius: Violin Concerto, Lemminkäinen Suite album review – Ava Bahari is an enthralling storyteller
Timothy Ridout: Alto Appassionato album review – engaging and smartly curated viola and piano programme
Sean Shibe: Vesper album review – ever-imaginative guitar virtuoso brings mind-expanding flights of fancy
Samuel Hasselhorn: Schubert Hoffnung review – timbral and emotional flexibility is in ample supply
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Paavo Järvi to succeed Edward Gardner at helm of London Philharmonic
Anthems, agency and arias: baritone Davóne Tines on rewriting his role – and the rules
Max Richter: the composer who crosses the invisible divide between ‘high’ and ‘low’ music
‘He was, above all, a treasured spirit, who understood how vital music is for the human soul’: tributes to Andrew Clements
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Interview
‘We want people on the edge of their seats’: Royal Opera boss Oliver Mears on the new season – and the controversies of the last
‘If Martin Luther hadn’t been a musician, the course of music history might have been very different’
Trailblazers, trumpets and the theremin: 10 soundtracks that changed the way we listen to movies
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