3RD UPDATE, 8:48PM: We’ve seen two mega-franchise movies go up against each other before during Memorial Day weekend, but whenever this happens one always comes up with the short-end of the stick at the box office.

Countless examples abound, i.e. 2013 when Fast & Furious 6 ($117M FSSM) squared off with Hangover III ($50.3M) and 2009 when Night of the Museum 2 ($70.1M) faced off with Terminator Salvation ($51.9M).

X-Men: Apocalypse Box OfficeA similar scenario is occurring once again this weekend with 20th Century Fox’s X-men: Apocalypse squashing Disney’s Alice Through the Looking Glass$82.6M to $40M.  Both of these films cost north of $170M. Was it a good idea for one to butt up against the other? Each title needs the widest audience possible in order to see black. We need to question whether pitting two tentpoles of this magnitude over the four-day holiday is a financially sound practice. We know people go to the movies at the end of the year, however, the Memorial Day frame has shown leaks; it’s arguably only big enough to withstand one four-quad gorilla.

American
9 hours
How on Earth did Vision and Scarlet Witch have few lines and were underused?
Chris H
9 hours
I really wish it was a requirement to be over 13 to post on these boards.
MJ
9 hours
If I have it right, The Jungle Book will overtake Batman v Superman, both domestic and international....

Currently, 20th Century Fox’s X-Men: Apocalypse is coming in toward Fox’s conservative projection of $80M+ over FSSM. Earlier in the week many rivals predicted a $100M+ opening, but Fox always knew the fourth X-Men movie directed by Bryan Singer was going to file lower first because they were coming off a high with Days of Future Past (FSSM opening $110.6M), and second those God-awful Apocalypse reviews at 48% rotten. X-Men is set to make $68M over FSS and $27M for Friday at 4,150 theaters. On a three-day basis it will be the fourth best opening for an X-Men movie not counting Wolverine. CinemaScore is an A-, which is less than Days of Future Past‘s A, but whips those poor reviews. Alice Through the Looking Glass is still looking at $30.9M over FSS and $9M for today. CinemaScore audiences loved it as much as the 2010 film with an A-.

Apocalypse demos were similar to Days of Future Past: 60% males showed up with 58% over 25. Sixty-one percent of those watching X-Men did so because they love the property, while 28% came out for the actors and 24% came out to watch Jennifer Lawrence and Olivia Munn. Hugh Jackman was a bigger draw on Days of Future Past at 32%. The under 18 demo at 22% loved Apocalypse the most with an A.

Despite Alice 2 vying for young girls and families, “X-Men isn’t doing it any favors at the box office,” said one distribution chief. And even though X-Men is reaping alice 2the spoils, I’m sure Fox would be happier if that hag Alice and her kooky friends weren’t standing around, stealing their cash. And with all the family product in the market —Angry Birds with $22M FSS, -42%, as well as Disney’s own Jungle Book with $11M over FSSM– the question begged is why Disney kept Alice 2 on Memorial Day weekend? Yes, they were looking to get the biggest audience possible, but that’s not the case with all this competition in the marketplace. In regards to marketing, Disney certainly didn’t bail on Alice 2. That’s not Disney’s way. And you can’t blame Johnny Depp’s glossy magazine cover woes today. If this sequel meant anything, Disney should have found another date when there was less competition cutting into its till. Granted, they chose this date first back in November 2013 before Fox staked the same date out for X-Men a month later. “I would have moved Alice,” asserted our rival distrib exec about keeping the sequel alive, “but that’s not Disney’s way. They’re not reactive. Their record is 88 to 2 and they never lose. They probably said to themselves when X-Men moved on the date, ‘We’ll figure it out'”.

Granted, there are other factors that go into dating a wide release stateside. Overseas factors into it, and Alice 2 is opening in 72% of the foreign market this weekend. In addition, distrib chiefs will pound their fists in their hands and say, that business during the summer is all about the weekdays. However, every weekend this summer feels like a Kamikaze mission for every wide release. There’s just too many wide entries at 51 this summer compared to 42 last year.

And while we can point to the waning 3D craze, Depp’s falling star (35% came out to see him for Alice 2 vs. 51% for Alice) and the lack of the Burton aficionados as factors impacting Alice 2‘s ticket sales, our rival distrib chief continues, “The first movie wasn’t that good, so I was surprised that they made a sequel. Until Alice made all that money.” Critics weren’t so keen with 2010’s Alice in Wonderland giving it a 52% rotten score. Alice 2 fared worse with a 29% rotten rating. More females at 72% came out to watch Alice 2, than Alice (60%), while the under 25 demo was about the same size as the first time around with 59%. Forty-six percent bought tickets to Alice 2 for the subject matter. Alice 2 also got a little younger according to CinemaScore with the under 18 crowd at 43%, while Alice drew 34%.

Love & FriendshipAt the Sundance Film Festival, Whit Stillman foresaw a date movie this summer in his Jane Austen adaptation Love & Friendshipand he’s definitely getting one as his fifth feature directorial cracks into the top 10 with a projected 4-day of $3.5M. We can’t discount A24’s expansion of its quirky Alchemy pick-up The Lobster which played the Cannes Film Festival last year. The Yorgos Lanthimos comedy is up 69% in its third FSS after expanding to 116 theaters for a 12th place rank.  Also coming on strong with per screen averages is the second frames of IFC’s Weiner doc and Sony Pictures Classics’ dramedy Maggie’s Plan starring Greta Gerwig, Julianne Moore and Ethan Hawke.

The top 10 films for Memorial Day weekend May 27-30, 2016  per industry estimates as of 8:30PM Friday. We’ll update again in the morning:

1). X-Men: Apocalypse (FOX), 4,150 theaters / $27M Fri. (includes $8.2M previews) / 3-day cume: $68M /4-day: $82.6M Wk 1

2). Alice Through the Looking Glass (Disney), 3,763 theaters / $9M Fri. (includes $1.5M previews) / 3-day cume: $30.9M /4-day: $40M/Wk 1

3). The Angry Birds Movie (SONY/ROVIO), 3,932 theaters (0)/ $5.1M Fri.(-53%) / 3-day cume: $22M (-42%)/4-DAY: $30.2M /Total cume: $77.8M/ Wk 2

4). Captain America: Civil War (Disney), 3,395 theaters (-831) / $4.1M Fri. (-52%)/ 3-day cume: $16.6M (-50%) /4-day: $21.5M/ Total cume: $379M/ Wk 4

5). Neighbors 2: Sorority Rising (UNI), 3,416 theaters (+32)/ $2.6M Fri. (-70%)/ 3-day cume: $9.3M (-57%)/4-day: $11.7M/Total cume: $41M/ Wk 2

6). The Jungle Book (DIS), 2,523 theaters (-937) / $1.8M Fri. (-33%) / 3-day cume: $7.8M (-29%)/4-day: $10.7M/ Total cume: $342.2M / Wk 7

7). The Nice Guys (WB), 2,865 theaters (0)/ $1.8M Fri. (-55%) / 3-day cume: $6.8M (-39%)/4-day: $8.7M/Total: $24.1M/ Wk 2

8). Money Monster (SONY), 2,315 theaters (-789) / $1.1M Fri. (-45%) / 3-day cume: $4.4M (-38%)/4-day: $5.7M/Total cume: $35.3M/Wk 3

9.) Love & Friendship (AMZ/RSA), 493 theaters (+446) / $638K Fri. (+32o%) / 3-day cume: $2.7M (+381%)/4-day:$3.5M /Total cume: $4.5M/Wk 3

10.) Zootopia (DIS), 572 theaters (-805) / $173K Fri. (-55%) / 3-day cume: $812K (-52%) / 4-day: $1.1M/Total cume: $336.2M / Wk 13

11). The Darkness (HTR), 1,004 theaters (-765)/ $190K Fri. (-73%) / 3-day cume: $696K (-69%)/4-day: $852K/Total Cume: $10M/ Wk 3

12.) The Lobster (A24), 116 theaters (+92) / $188K Fri. (+55%)/ 3-day cume: $657K (+69%)/4-day: $845K/Total cume: $2.1M/Wk 3

Notables: 

Weiner (IFC), 27 theaters (+22) / $41K Fri. (+100%) /3-day cume: $172k (+105%)/$6k PTA /4-day: 224K/Total Cume: $353K/ Wk 2 

Maggie’s Plan (SPC), 19 theaters (+14) / $24K Fri. (+40%) /3-day cume: $97K (+54%)/$5K PTA/4-day: $126K/Total cume: $215K/Wk 2

 

2ND UPDATE, 11:50 AM: Oh, no! It looks like it’s Tomorrowland all over again for Disney. Industry projections shows 20th Century Fox’s super-charged X-Men: Apocalypse raining meteors on Disney’s sequel Alice Through the Looking Glass, with respective 4-day takes of $90M to $40M. Alice 2 cost $170M before P&A, so if these figures keep up and don’t pop, it’s off with her head.

X-Men looks to mint $29M-$30M today which includes an $8.2M Thursday, while Alice looks to eat up $9M, including a meh Thursday of $1.5M. alice through the looking glassThree-day for X-Men is $78M, while Alice will file second with $31M. It’s funny, we heard a lone projection from an analyst earlier in the week that Alice 2 was poised to tank, but we thought that was far too cynical; most box office trackers were seeing Alice 2‘s opening through rosy-colored glasses with $55M-$60M.

Disney actually owns the top opening of all-time for Memorial Day weekend: 2007’s Pirates of the Caribbean: At World’s End with $139.8M. However, the studio hasn’t had much fortune with the holiday since 2010’s Prince of Persia which flopped with $37.9M FSSM debut ($90.8M final domestic) and last year’s Tomorrowland which opened to $42.7M (domestic final $93.4M).  Like Alice 2, both of those titles came with steep estimated price tags between $190M-$200M. Why did Disney plop Alice 2 here? They wanted to launch the movie on a weekend when a slew of families head to the cinema.

Again, it’s still early in the weekend. Never good to pronounce a film dead this early on, but it’s not looking promising at this point for Alice 2. While 3D was a huge factor for the first Alice in Wonderland, it’s less a factor this time around as families, which are the core audience here for the James Bobin-directed movie, opt for cheaper ticket prices. Even though Disney has Imax, a format that any studio would envy in their theater count, it’s not a format particularly meant for a PG movie geared toward little girls. It comes as no surprise to hear that PLFs are doing more business for X-Men, a comic book movie.

It should also be noted that Depp-gate, which is occurring right now in the actor’s divorce proceedings with Amber Heard, is not a negative factor contributing to Alice 2‘s dismal box office projections. Usually such glossy matters do not enter into a moviegoer’s decision-making process, plus in all fairness to Disney they sold this movie on all of the characters we loved from the first Alice. A case in point on how scandals do not impact the B.O.: the hot water that director Bryan Singer found himself in a month prior to X-Men: Days of Future Past opening. Those allegations against the director surrounding his affairs with minors didn’t put any dampers on the ticket sales for X-Men: Days of Future Past. That film would go on to become the second-highest grossing title in the franchise with $233.9M at the domestic B.O.

1ST UPDATE, 7:30 AM: 20th Century Fox’s X-Men: Apocalypse made $8.2M last night from 3,565 theaters with showtimes starting at 7 PM, while Disney’s Alice Through the Looking Glass gulped the shrinking potion and made $1.5M.

By comparison, 2014’s X-Men: Days of Future Past grossed $8.1M on Thursday night before chalking up a $35.5M first day. 2006’s X-Men: The Last Stand owns the best Memorial Day Friday bow with $45.1M. Also two years ago, but during the post-Memorial Day weekend, Disney’s Maleficient made $4.2M.

X-Men Apocalypse AliceX-Men Apocalypse and Alice Through the Looking Glass are hands down the No. 1 and 2 draws over the four-day Memorial Day holiday. Hopefully, Apocalypse pegs another slot on the all-time Memorial Day openers list. Rival projections are at $100M-plus for the Bryan Singer-directed movie, but Fox has a more conservative outlook of $80M+ over four-days. Meanwhile, Alice Through the Looking Glass is seeing $55M-$60M+ over FSSM. We’ll be hearing from Disney soon as to how Alice fared Thursday night.

On the list of all-time best Memorial Day domestic openers, 2006’s X-Men: The Last Stand with $122.9M and X-Men: Days of Future Past with $110.6M rank third and fifth, respectively.

Fandango reported Thursday that advance ticket sales for Apocalypse were on par with Days of Future Past, while Alice Through the Looking Glass is in sync with Disney’s 2014 post-Memorial Day hit Maleficent, which made $69.4M in its first FSS.

Other than Wolverine, X-Men: Apocalypse is arguably the worst-reviewed title in the series at 47% RottenHowever, the franchise has shown to deflect any bitter word-of-mouth in the past: The Last Stand had a 58% Rotten Tomatoes score, but landed an A- CinemaScore — and it’s the highest grossing film in the series. Days of Future Past won over both tweeds and moviegoers with a 91% Rotten Tomatoes score and an A CinemaScore. Alice also has a similar scenario at the B.O., where the populist vote is bigger than the smarty pants’ one. The first Alice received a mixed response from film reviewers at 52% despite earning an A- CinemaScore and a final domestic of $334.2M. Currently, there are more critics that loathe Alice Through the Looking Glass than Apocalypse at 27% rotten.

Disney reported Thursday night demos for Alice Through the Looking Glass as follows: 51% female, 49% male, with 42% under 25. Families made up 21% of the crowd. In regards to the discrepancy between X-Men and Alice last night, one East Coast-based exhibitor told Deadline this morning that it boiled down to the PLFs. Read, one of his auditoriums grossed $2,600 from X-Men, while Alice made $300. “I wanted to share my PLF with the two films, but Fox would not allow where Disney would. I think this will result in X-Men doing better than expected and Alice underperforming,” said Deadline’s deep throat source.

Alice Through the Looking Glass 5The reasons this Alice won’t be as high as the original stem from various factors: It doesn’t have the Tim Burton-philes in its court, the 2010 pic benefited from a post-Avatar 3D craze — 71% of its domestic B.O. came from the format — and it was the only wide entry when it opened during the first weekend of March with $116.1M. Thirty-nine percent of Alice in Wonderland‘s audience came from families, while it skewed female at 55% with 54% under 25.

Among the regular rank of movies in play, Disney’s Captain America: Civil War has been the top draw during the past four weekdays.  The Russo brothers movie made $2.1M last night at 4,226 theaters for a three week cume of $357.5M; that’s 7% behind Avengers: Age of Ultron. which finaled at $459M. If Civil War keeps up its pace, then it will final a stateside B.O. north of $425M. Here are the first-week cumes for last weekend’s entries: Sony/Rovio’s The Angry Birds Movie ($47.7M), Universal’s Neighbors 2: Sorority Rising ($29.2M) and Warner Bros.’ The Nice Guys ($15.4M). Everyone is looking forward to strong holds thanks to the four-day holiday stretch.