This gray/blue redingote was first seen in the 2017 third season of π‘·π’π’π’…π’‚π’“π’Œ, where it was worn by Gabriella Wilde as Caroline Enys.  

The piece reappeared again (with a missing button) in 2021, when it was worn by MarΓ­a HervΓ‘s as Amelia Castro in 𝑳𝒂 π‘ͺπ’π’π’„π’Šπ’π’†π’“π’‚ 𝒅𝒆 π‘ͺπ’‚π’”π’•π’‚π’Žπ’‚π’“ (𝑻𝒉𝒆 π‘ͺπ’π’π’Œ 𝒐𝒇 π‘ͺπ’‚π’”π’•π’‚π’Žπ’‚π’“).  

Learn more at Bit.ly/StuGeo163    

This brown gown was originally created for Keira Knightley to wear in the 2005 adaptation of Jane Austen’s π‘·π’“π’Šπ’…π’† 𝒂𝒏𝒅 π‘·π’“π’†π’‹π’–π’…π’Šπ’„π’†.  

The gown was revived for Nia Towle’s Louisa Musgrove in the 2022 Netflix adaptation of π‘·π’†π’“π’”π’–π’‚π’”π’Šπ’π’.  

Find out who designed this costume at Bit.ly/RegRom188    

This gauzy ruff, embellished with pearls and gold-embroidered crosses, was first worn by Alexandra Dowling as Queen Anne in the seventh episode of the 2014 first season of 𝑻𝒉𝒆 π‘΄π’–π’”π’Œπ’†π’•π’†π’†π’“π’”, entitled 𝑨 π‘Ήπ’†π’ƒπ’†π’π’π’Šπ’π’–π’” π‘Ύπ’π’Žπ’‚π’.  

The short-lived and bafflingly costumed Spanish series π‘Ήπ’†π’Šπ’π’‚π’”, known in the United States as 𝑸𝒖𝒆𝒆𝒏𝒔: 𝑻𝒉𝒆 π‘½π’Šπ’“π’ˆπ’Šπ’ 𝒂𝒏𝒅 𝒕𝒉𝒆 π‘΄π’‚π’“π’•π’šπ’“, reused this piece, unfurling the heavily pleated material to give us a better view of the embroidery. It, too, was worn in the seventh episode, entitled π‘«π’†π’”π’‘π’†π’“π’‚π’•π’Šπ’π’.  

Find more photos at Bit.ly/TudEliz240    

This blue gown was first worn by Georgie Henley as Margaret Tudor in the second season of 𝑻𝒉𝒆 π‘Ίπ’‘π’‚π’π’Šπ’”π’‰ π‘·π’“π’Šπ’π’„π’†π’”π’” in 2020.  

The costume was reused by Sophie Boettge as Jane Boleyn nΓ©e Parker, Viscountess Rochford in 𝑩𝒍𝒐𝒐𝒅, 𝑺𝒆𝒙 𝒂𝒏𝒅 π‘Ήπ’π’šπ’‚π’π’•π’š in 2022.  

Who designed this costume? Find out at Bit.ly/TudEliz207    

This intriguing interpretation of Edwardian fashion was designed by Walter Plunkett for Martha Scott as Catherine Elizabeth Allan in the 1943 film 𝑰𝒏 𝑢𝒍𝒅 π‘Άπ’Œπ’π’‚π’‰π’π’Žπ’‚.  

𝑻𝒉𝒆 𝑢𝒍𝒅 𝑻𝒆𝒙𝒂𝒔 π‘»π’“π’‚π’Šπ’ utilized the piece the very next year when it was worn by Virginia Christine as Queenie Leone.  

See more photos at https:// Bit.ly/VicEd343    

This lovely blue hat, adorned with a matching ribbon and feather has been used at least twice over the years, and perhaps more.  

In 2002 it was worn by Romola Garai as Gwendolen Harleth in π‘«π’‚π’π’Šπ’†π’ 𝑫𝒆𝒓𝒐𝒏𝒅𝒂, but before that, it had been spotted on Cherie Lunghi as Laura Testvalley in the 1995 miniseries 𝑻𝒉𝒆 𝑩𝒖𝒄𝒄𝒂𝒏𝒆𝒆𝒓𝒔.  

Have you seen this hat anywhere else? If so, comment below or on our website at Bit.ly/Acces108    

This fantastic horned headdress has only been sighted twice. The first time it was seen was during the 2004 production of 𝑻𝒉𝒆 π‘·π’‰π’‚π’π’•π’π’Ž 𝒐𝒇 𝒕𝒉𝒆 𝑢𝒑𝒆𝒓𝒂, where it was worn by CiarΓ‘n Hinds as Monsieur Richard Firmin.  

The second appearance was on an uncredited actor in the episode π‘ͺπ’π’–π’π’•π’…π’π’˜π’ 𝒕𝒐 π‘Ήπ’†π’—π’π’π’–π’•π’Šπ’π’ of the 2011 miniseries π‘½π’†π’“π’”π’‚π’Šπ’π’π’†π’”.  

What do you think of this piece? Let us know at Bit.ly/Acces049    

Kay Strozzi first wore this stunning gown as Madame Anna Valeska / Gladys in the 1931 film π‘ͺπ’‚π’‘π’•π’‚π’Šπ’ π‘¨π’‘π’‘π’π’†π’‹π’‚π’„π’Œ.  

The dress was seen again just a few months later in the film π‘Ίπ’Žπ’‚π’“π’• π‘΄π’π’π’†π’š, where Evalyn Knapp wore it as Irene Graham.  

Find out who designed this gown at Bit.ly/PostEd228  
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Costume designer Annie Hardinge likely created this sweet little gown for the 2013 movie 𝑨𝒖𝒔𝒕𝒆𝒏𝒍𝒂𝒏𝒅, where the piece made its debut on Keri Russell as Jane Hayes.  

It went on to be reused in the 2015 television miniseries 𝑱𝒐𝒏𝒂𝒕𝒉𝒂𝒏 π‘Ίπ’•π’“π’‚π’π’ˆπ’† 𝒂𝒏𝒅 𝑴𝒓. 𝑡𝒐𝒓𝒓𝒆𝒍𝒍, where Lucinda Dryzek’s Flora Greysteel considered it while holding it up to herself in front of a mirror.  

Suki Waterhouse wore it the following year to portray Kitty Bennet in π‘·π’“π’Šπ’…π’† 𝒂𝒏𝒅 π‘·π’“π’†π’‹π’–π’…π’Šπ’„π’† 𝒂𝒏𝒅 π’π’π’Žπ’ƒπ’Šπ’†π’”, though it can be viewed best in a deleted scene.   The dress has gone on to be used in at least four more productions over the years. To find out where, please visit our website at Bit.ly/RegRom195  

This beautifully embroidered gown was first spotted on an extra in the 1969 film 𝑨𝒏𝒏𝒆 𝒐𝒇 𝒕𝒉𝒆 𝑻𝒉𝒐𝒖𝒔𝒂𝒏𝒅 π‘«π’‚π’šπ’”. It’s possible that it originated with this film, but it is also plausible that the costume came from an earlier production, as extras generally wear reuses.  

The π‘ͺπ’‚π’“π’“π’š 𝑢𝒏 films are well known to have reused many costumes from earlier productions, and so it is no surprise that this piece was seen again in 1971 by Joan Sims as Queen Marie in π‘ͺπ’‚π’“π’“π’š 𝒐𝒏 π‘―π’†π’π’“π’š. Additional fabric under the sleeves has either been added, or is perhaps more obvious in this film. Interestingly, it is the same fabric used for the skirt of another costume, found here: bit.ly/TudEliz244  

It’s possible that the costume was used further after 1971, as auction photos of the piece show an added ribbon around the neckline, as well as a different skirt. In 2007, this dress was auctioned off by Bonhams, where it sold for $1050.  

You can learn more at:Bit.ly/TudEliz230