Jeffery Deaver’s ‘Solitude Creek,’ and More
In “Solitude Creek,” a killer likes to scare people into causing their own deaths.

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By MARILYN STASIO
In “Solitude Creek,” a killer likes to scare people into causing their own deaths.
By MARILYN STASIO
Indridason’s latest novel illustrates the qualities that make his books so deeply pleasurable.
By MARILYN STASIO
Dennis Lehane’s new novel continues the sweeping fathers-and-sons tale started in “The Given Day” and “Live by Night.”
By MARILYN STASIO
In Michael Robotham’s “Life or Death,” an inmate escapes the day before his scheduled release.
By MARILYN STASIO
New novels by Lene Kaaberbol, Bryan Reardon, William Shaw and S. D. Sykes.
By MARILYN STASIO
Laura Lippman’s scrappy Baltimore private eye, Tess Monaghan, is back on the job in “Hush Hush.”
By MARILYN STASIO
Every last one of the gaudy characters in Tom Cooper’s first novel, “The Marauders,” has a story to tell about life on the Gulf Coast.
By MARILYN STASIO
In Rebecca Scherm’s first novel, “Unbecoming,” an art student reinvents herself.
By MARILYN STASIO
Charles Todd’s latest historical mystery opens on the day the Austrian archduke and his wife are assassinated in Sarajevo.
By MARILYN STASIO
Anthony Horowitz’s “Moriarty” is a Sherlock Holmes pastiche that opens five days after the great detective and his nemesis plunged to their doom.
By MARILYN STASIO
In Cornwell’s new thriller, Kay Scarpetta’s expertise is needed with a murder victim, a man once accused of being a terrorist.
By MARILYN STASIO
In Michael Connelly’s “The Burning Room,” Harry Bosch tries to impart wisdom to his new partner.
By MARILYN STASIO
In John Sandford’s “Deadline,” dogs are being stolen and auctioned off for resale as laboratory animals.
By MARILYN STASIO
Archer Mayor’s “Proof Positive” is about the death of a reclusive hoarder, a photojournalist who had suffered a brain injury in Vietnam.
By MARILYN STASIO
“Darkness, Darkness,” John Harvey’s final novel in his series featuring Inspector Charlie Resnick, strikes an elegiac tone.
By MARILYN STASIO
In Louise Penny’s “The Long Way Home,” Chief Inspector Armand Gamache follows a lost artist’s perilous journey to find himself.
By MARILYN STASIO
In Rennie Airth’s “The Reckoning,” a former Scotland Yard detective comes out of retirement to assist in the investigation of killings committed with the same pistol.
By MARILYN STASIO
In Yannick Murphy’s thriller “This Is the Water,” the mother of two girls on a competitive swim team is having an affair with her friend’s husband.
By MARILYN STASIO
In “Solitude Creek,” a killer likes to scare people into causing their own deaths.
By MARILYN STASIO
Indridason’s latest novel illustrates the qualities that make his books so deeply pleasurable.
By MARILYN STASIO
Dennis Lehane’s new novel continues the sweeping fathers-and-sons tale started in “The Given Day” and “Live by Night.”
By MARILYN STASIO
In Michael Robotham’s “Life or Death,” an inmate escapes the day before his scheduled release.
By MARILYN STASIO
New novels by Lene Kaaberbol, Bryan Reardon, William Shaw and S. D. Sykes.
By MARILYN STASIO
Laura Lippman’s scrappy Baltimore private eye, Tess Monaghan, is back on the job in “Hush Hush.”
By MARILYN STASIO
Every last one of the gaudy characters in Tom Cooper’s first novel, “The Marauders,” has a story to tell about life on the Gulf Coast.
By MARILYN STASIO
In Rebecca Scherm’s first novel, “Unbecoming,” an art student reinvents herself.
By MARILYN STASIO
Charles Todd’s latest historical mystery opens on the day the Austrian archduke and his wife are assassinated in Sarajevo.
By MARILYN STASIO
Anthony Horowitz’s “Moriarty” is a Sherlock Holmes pastiche that opens five days after the great detective and his nemesis plunged to their doom.
By MARILYN STASIO
In Cornwell’s new thriller, Kay Scarpetta’s expertise is needed with a murder victim, a man once accused of being a terrorist.
By MARILYN STASIO
In Michael Connelly’s “The Burning Room,” Harry Bosch tries to impart wisdom to his new partner.
By MARILYN STASIO
In John Sandford’s “Deadline,” dogs are being stolen and auctioned off for resale as laboratory animals.
By MARILYN STASIO
Archer Mayor’s “Proof Positive” is about the death of a reclusive hoarder, a photojournalist who had suffered a brain injury in Vietnam.
By MARILYN STASIO
“Darkness, Darkness,” John Harvey’s final novel in his series featuring Inspector Charlie Resnick, strikes an elegiac tone.
By MARILYN STASIO
In Louise Penny’s “The Long Way Home,” Chief Inspector Armand Gamache follows a lost artist’s perilous journey to find himself.
By MARILYN STASIO
In Rennie Airth’s “The Reckoning,” a former Scotland Yard detective comes out of retirement to assist in the investigation of killings committed with the same pistol.
By MARILYN STASIO
In Yannick Murphy’s thriller “This Is the Water,” the mother of two girls on a competitive swim team is having an affair with her friend’s husband.