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♰ welcome to my blog! ♰

my name is ez, and i write fics which you can find on my ao3! i have been obsessed with death note for over a decade now, and mellodramattic has a very special place in my heart ♥︎

my asks are always open for requests, or if you just want to talk…

fanfiction -> #vamphorica writes

echo ( light | l, 18+, ⚣, 8.8k )

kinktober 2024 ( multiship, 18+, ⚣, ⚢, ⚤, 30k )

life eternal ( matt | mello, 18+, ⚣, 3.5k )

mattmello week 2024 ( matt | mello, partially 18+, ⚣, 18k )

mellodramattic valentine’s playlist ( matt | mello, 18+, ⚣, 3k )

memento mori ( matt | mello, beyond birthday | a, ⚣, 1.4k )

working on… ascension -> out now! give it a read, death note cult fic

other writing / asks

fanart -> @vampirekeehl

playlists -> mello | matt

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horaitos
straightlightyagami

that's right... i'm problematic. and what can you do? cancel me right here? hear this: i'm not only problematic, but also your mutual. i have become your favorite blog on the site. i'm the one carrying your dash. i have become based, the only hope for tumblr. block me? is that really the right thing to do? ever since isomorbism first appeared 3 years ago, discourse has stopped and happiness has increased by 70%, but it's not enough! this site is still rotten, with too many bad poasts... somebody has to do this! and when i first got this account all those years ago, i knew i had to do it—no, i was the only one who could! i understood that poasting on tumblr is cringe. THERE WAS NO OTHER WAY! THE POSTS HAD TO BE FIXED! a purpose given to me. only i could do it! who else could have done it, and come this far? would they have kept posting?? the only one... who can make such good poasts... is me

bagalois

no, you're wrong. you... are just a keyboard warrior. and your posts reek of the worst brainrot in the history of tumblr. if you had been a normal person, and gotten cancelled once or twice from your takes, you would have been surprised and scared of the fallout. you would have regretted what you had done and never touched tumblr discourse again. in any case, i can actually understand those who would post about their problematically-labeled personal interests or get sucked into meaningless drama - i could even think that they're normal. but you have yielded to the power of online validation, the likes and the reblogs, and confused yourself with an influencer... in the end, you're just a nerd. nothing more, and nothing less.

divinecreation
moonlit-tulip

It's often noted, in discussions of the Death Note anime, that it's much weaker than the manga in its rendition of post-timeskip events partly for pacing reasons: the pre-timeskip parts of the anime adapt ~6.5 manga-volumes in 25 episodes, while the post-timeskip parts adapt ~5.5 in 12 episodes, so a lot more important detail-work is lost and the whole thing ends up feeling kind of perfunctory.

Much less often noted as far as I've seen, but nonetheless also true, is that the Death Note anime removes some important characterization-nuance from Light, starting right near the beginning, whose presence elevates the manga to be substantially better than the anime even before the time-skip.

In particular: the Death Note manga is, at its core, a tragedy in classic "character who has everything falls into ruin due to a fatal personal flaw" style. Light is a brilliant student who, in the future ahead of him, has the potential to do practically whatever he wants. He's driven to ruin by the fatal flaw of unwillingness to admit, either to others or to himself, when he's made a mistake. This flaw is an essential piece of his characterization, in the manga. And the anime pretty much entirely skips over it.

As portrayed in the manga, Light's decision to become Kira—which ultimately leads to his downfall—is made in the following way. First, he finds the Death Note, and is led by morbid curiosity to write a name in it, killing someone. Then, still not really believing it, he kills a second person too. At which point it hits him that he's killed two people. And at that point, after a viscerally-horrified breakdown about what he's done, the inability to admit mistakes kicks in, and he proceeds to rewrite his own value-system such that it yields the result that killing those people was actually okay, and in fact morally good. Because the alternative would be for him to acknowledge himself as having made a terrible mistake, and that, more than anything else, is something he's unwilling to do if he can see any other option at all. And then, having convinced himself that those two murders were good, he proceeds to reason that, if they were good, then doing more like them is good; and thus he becomes Kira, leading eventually, far down the line, to his ruin. The anime, by contrast, substantially deemphasizes this flaw of his, portraying him as much more calmly put-together through that series of events and thus making him come across as having been tempted in becoming-Kira-ward directions all along.

Similarly, in the anime, when Light leaks a bunch of information to L about his identity by using non-public information acquired via police channels, he declares that actually this was deliberate as a means of baiting L out so he can kill him, and the anime presents this declaration pretty uncritically. The manga, by contrast, presents it as an extension of that same character-flaw: Light is unwilling to admit to having actually just straightforwardly messed up, and therefore makes up a new plan to view himself to have been following-all-along, thus leading him to take more risks in his game against L going forward and thus, once again, helping him along the path to ruin.

Et cetera.

Compared with the manga, then, the anime's version of Light's characterization ends up less interesting. And, moreover, it introduces a plot hole, when the Yotsuba arc comes around! It makes it much less clear why an amnesiac Light would be so straightforwardly aligned against Kira. In the manga, this is pretty clear: a Light who never killed anyone wouldn't have rewritten his values to consider killing people to be good, and therefore would look at Kira as straightforwardly evil. And, in fact, his amnesiac self has trouble taking the possibility of his having been Kira previously, even as the evidence starts building up, because becoming Kira would be a mistake according to his value-system of the moment, and this leaves him having a very hard time contemplating the possibility of its having in fact happened! Whereas the anime, by deemphasizing Light's big flaw, makes his amnesiac-self's differences from the way he is for most of the story up to that point come across as much more out-of-nowhere, much less narratively well-founded.

So, overall, the people who talk about the Death Note manga as superior to the anime specifically post-timeskip strike me as somewhat understating things. The manga is superior to the anime pre-timeskip, too, via that extra layer of characterization and a resulting improvement both in character-interestingness and in plot-coherence. And thus I consider the manga to be very much the definitive version of Death Note from start to finish, despite the anime's relatively-higher popularity.

vamphorica
vamphorica

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10/04/25 - chapter nine: phantom pains

Read on AO3Previous Chapter

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Summary: After his plan to kidnap Takada goes horribly wrong, Mello must take responsibility for the death of Near by arresting Kira under the position of L. No longer able to rely on Matt, he must confront a life he sought to reject, and under the pressure of guilt and inferiority, his grasp on reality slowly begins to deteriorate.

────────────────────────────

Teaser under the cut ⬎

Keep reading

vamphorica

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annoyingly, tate britain has hung this painting really high up on the wall so it’s almost impossible to look at properly (let alone stare at it while sitting on a bench, haha) but i still like it a lot. it is dripping with melodrama in a way that i think Mello would very much appreciate.

i think the Marlowe quote beneath it is interesting, too: Cut is the branch that might have grown straight.

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10/04/25 - chapter nine: phantom pains

Read on AO3Previous Chapter

────────────────────────────

Summary: After his plan to kidnap Takada goes horribly wrong, Mello must take responsibility for the death of Near by arresting Kira under the position of L. No longer able to rely on Matt, he must confront a life he sought to reject, and under the pressure of guilt and inferiority, his grasp on reality slowly begins to deteriorate.

────────────────────────────

Teaser under the cut ⬎

Keep reading

horaitos
luzon-dove

there’s two ways you can watch death note. the first one is to take everything light yagami says as gospel and in that way you can watch a fun psychological thriller with an insane egotist at the helm. which is certainly entertaining. or you can watch it knowing that light yagami is the world’s most unreliable narrator and inconsistent pov, and you can see death note as it is: both tragedy and devolution, anticatharsis and a pyrrhic inversion of a coming of age story. fundamentally, there are questions about light yagami that remain gleefully unanswered by the end of the anime and beg you to go back and reexamine him.

an incontrovertible truth of death note: the protagonist is a liar. how many times did he lie to himself? how many times did he lie to you?