under a larger, kinder sky

@vivacias / vivacias.tumblr.com

READING BLOG

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  1. City of Last Chances β€’ Adrian Tchaikovsky 🌟🌟🌟🌟🌟
  2. The Brides of High Hill β€’ Nghi Vo ⭐️⭐️⭐️
  3. The Traitor Baru Cormorant β€’ Seth Dickinson ⭐️⭐️⭐️⭐️✨
  4. πŸ”„πŸ· Klara & the Sun β€’ Kazuo Ishiguro ⭐️⭐️⭐️✨
  5. Thornhedge β€’ T. Kingfisher ⭐️⭐️⭐️⭐️
  6. Heavenly Tyrant β€’ Xiran Jay Zhao ⭐️
  7. 🍷 Violeta β€’ Isabel Allende ⭐️⭐️⭐️✨
  8. 🍷 The Fox Wife β€’ Yangsze Choo 🌟🌟🌟🌟🌟
  9. The Raven King β€’ Maggie Stiefvater ⭐️⭐️⭐️
  10. πŸ”„ Fairy Haven and the Quest for the Wand β€’ Gail Carson Levine 🌟🌟🌟🌟🌟
  11. πŸ“Œ Howl’s Moving Castle β€’ Diana Wynne Jones
  12. πŸ“Œ Mo Dao Zu Shi (Novel, Vol. 1) β€’ Mo Xiang Tong Xiu

Key:

πŸ“Œ Currently reading

πŸ’€ DNF

πŸ”„ Reread

🍷 For book club

✨ 0.5 stars

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it’s also cuckoo crazy for cocoa puffs how any time there’s a sardonic β€œname one [member of an under-represented group]” post, 100,000 tumblrinas will triumphantly Name One as if that actually addresses the complaint or exonerates them from the culture that generated it. you’re NOT passing!

and i think its corny to act as if this type of post is intended to be a positivity post or a living rec list. it isn’t. thats a lovely & constructive way to use the notes, but the post ow negative. the post is a call to examine racist behavior, not an invitation to talk about yourself as the specialest exception, or a request for book recs & positivity. so for you to then see anyone in the replies being even a little harsh on the erasure & implicit bias that is the subject of the post itself, and get upset bc that kind of negativity isn’t copacetic w the wholesome, conversation-ending spin u want to put on the post? is corny.

Akira Otani (Author), Sam Bett (Translator)

A fierce mixed-race fighter develops a powerful attachment to the yakuza princess she’s been forced to protect in this explosive queer thriller: Kill Bill meets The Handmaiden meets Thelma and Louise.

Tokyo, 1979. Yoriko Shindo, a workhorse of a woman who has been an outcast her whole life, is kidnapped and dragged to the lair of the Naiki-kai, a branch of the yakuza. After she savagely fends off a throng of henchmen in an attempt to escape, Shindo is only permitted to live under one condition: that she will become the bodyguard and driver for Shoko Naiki, the obsessively sheltered daughter of the gang’s boss.

Eighteen-year-old Shoko, pretty and silent as a doll, has no friends, wears strangely old-fashioned clothes, and is naive in all matters of life. Originally disdaining her ward, Shindo soon finds herself far more invested in Shoko’s wellbeing than she ever expected. But every man around them is bloodthirsty and trigger-happy. Shindo doubts she and Shoko will survive much longer if nothing changes. Could there ever be a different life for two women like them?

Akira Otani’s English-language debut moves boldly through time and across gender, stretching the definitions and possibilities of each concept. Rendered in a gorgeous translation by International Booker–shortlisted Sam Bett, this lean, mean thriller proves that bonds forged in fire are unbreakable.

(Affiliate link above)

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Anonymous asked:

the response that gets me is β€œwell i don’t read.” okay. not everybody enjoys reading. but your thought process doesn’t have to stop there! let’s think laterally and apply this question to a form of media you to enjoy and engage with regularly. can you name a black woman who is a…

tv/movie creative?

podcaster?

youtuber?

music artist?

stage actress?

visual artist?

dancer?

there are many many subcategories within each of these, including specialities, genres, and professions, and i promise you there is a black woman doing amazing stuff in every one. maybe even several!

these broad categories, especially tv/movies and music, will have their own big five. if you can name them, try going deeper by naming one in a specific genre you enjoy. how about a genre that a friend of yours enjoys? a genre you want to engage with more than you currently are? talking to people In Real Life and having goals or plans for the media you want to enjoy are also (alongside google) useful tools for combatting passive/unconscious bias.

this is literally such a quality critical thinking skills addition to the original post

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the raven king was a rly fun book, genuinely scary in moments and had excellent beats for blue gansey ronan & adam, im so glad i finally read this series to the end 13 YEARS after starting it as a kid, but every time i think of a character who vanished from act 3 with zero follow-up or even a passing mention in the epilogue i take another half star away. where are my sweetie peas. artemus maura calla seondeok helen declan gwenllian mr gray laumonier i said where the FUCK are my FUCKING sweetie pees

it’s also cuckoo crazy for cocoa puffs how any time there’s a sardonic β€œname one [member of an under-represented group]” post, 100,000 tumblrinas will triumphantly Name One as if that actually addresses the complaint or exonerates them from the culture that generated it. you’re NOT passing!

simply not having heard of something isn’t like a personal moral failing that u need to get defensive about. but also, an intellectual comfort zone in which Black women’s work is never recommended to you & you never seek it outβ€”that isn’t cultivated in a cultural vacuum. its not innocent. and if you’ve been through school i guarantee you’ve had Black women’s work assigned to you before so like what gives

hello fellow non-Black tumblr users. welcome to my saw trap. if you'd like to leave, please name one (1) Black woman author who is not Maya Angelou, Toni Morrison, bell hooks, Octavia Butler, or N.K. Jemisin. bonus points if she's published a book in the last five years.

posted this four hours ago and the notes are. genuinely dire.

special shoutout also to the people who mention Ta-Nehesi Coates and Tochi Onyebuchi who are both men

everyone is formally invited to stop misgendering Black nonbinary people any time btw. Janelle MonΓ‘e and Rivers Solomon and Akwaeke Emezi are not women.

Oh my god, I can't watch this.

Here, everyone, since you're having fun with list challenges recently, I made you something:

I've read most of these and can vouch for them being good. Go forth and read! You'll feel better for it.

I love tying in a topical meme to this lmao, but I do just want to point out real quick that Danielle L. McGuire, the author of At the Dark End of the Street, is white!

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I'm pathologically fearful of sharing art I do for work online anymore but this just simply means to much for me not to commemorate it so I'm taking advantage of my surge of courage this morning.

Anyway here's some cover art I made for the 10 year Anniversary editions of the Raven Cycle for Owlcrate

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THE WARDEN

Cover art I did for 'The Warden' written by Daniel M. Ford and published by Tor Books. This is the first book in the swords and sorcery series following Aelis De Lenti, recently graduated necromancer, assigned to her first job as Warden of Lone Pine, a remote village on the farthest border of the kingdom where she meets her elf companion Maurenia, a mercenary that she may or may not be crushing on. This was an interesting job because I didn't have detailed visual assets of the characters, so I had to read the book and compile all the descriptions of them to piece together what they look like. With a short sword and wand for casting ward magic and necromancy, I read Aelis as INT/DEX. I figured she's not 100% magic so she should still have armor, but lighter armor, so I landed on a gambeson and cloak. And with a rapier and crossbow I read Maurenia as STR/DEX. Her description said classy studded leather armor, so I gave her the full pauldron, bracer, grieves ensemble. This was a fun one. Thanks to AD Esther Kim!

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THE ADVOCATE

Cover art I did for 'The Advocate' written by Daniel M. Ford, and published by Tor Books. This is the third book in the swords and sorcery series following Aelis De Lenti. Aelis returns home to Lascenise to clear the name of her mentor, accused of murder, and unravel a conspiracy of wizards and assassins. With no one she can trust Aelis enlists the help of old friend Miralla and old enemy Amadin. I didn't get to this one either but this time around I got very detailed descriptions to work off of. They are all at a dinner party where a fight breaks out, hence the formal wear. Aelis' motif is skulls and daggers, and Miralla's stars and eyes. Miralla is a diviner which is why her eyes are glowing white as she guides the other two. Amadin's main stand out comments were 'arrogant enough to fight with a glass of wine in his hand' and 'very punchable face' lol Other than that everyone's looks are pretty straight forward, verbatim as described. Thanks once again to AD Esther Kim!

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