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@omnipotentdogss

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This blog is pretty much whatever I’m interested in at the moment, so it’s going to be a bit chaotic
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fleshwerks-deactivated20191021

let your character fuck up. please. let them fuck up on a scale so massive that this particular thing cannot be salvaged. let their fuck up have permanent consequences. and stoooooooooooooooop having them being the smartest person in the room who always has a sharp comeback to put their enemies down, and who always handles their enemies with grace or at least an air of superiority that s justified because they’re so cool and smart and clever™ let them bleed for their mistakes, let them MAKE those mistakes, and let that bleeding be ugly and disgraceful. let them suffer for their own mistakes, and let them suffer in knowing that they cannot fix. and let other people hate them for the shit they’ve done, and for once let the haters not be ‘petty bad people’. Let the haters be right.

@muffinlance i just want to say i just read through towards the sun and you are a master of doing this, i love how well you write characters doing things and the consequences of those things. iroh fucking up so incredibly bad with his relationship with zuko, as well zuko starting a goddamn civil war??? aang condemning people to a fate worse than death on accident, breaking the trust of the people of the fire nation and striking fear into their hearts??? chefs kiss. everyone is wrong and everyone is also right and everyone has their own reasons for doing things and everything feels so real.

in salvage as well, that fractured relationship between katara and hakoda is just so devastating and tentative and sad in the way that they’re still family and they still love each other so so much, but katara probably wont necessarily see him in the same way as she did before he left ever again (which he had a REASON but he still broke her heart and its heartbreaking that they both make complete sense in why they had to do and why they felt the things they did)!

you make characters feel SO human it’s genuinely incredible 💕

in absolute tears about the pride module at my work

HOLY SHIT GUYS, I WAS INSPIRED BY THIS POST TO TRY MAKE THE SONG AND YOU WOULD NOT BELIEVE THE SCREAM I SCRUMPT WHEN I DRAGGED THE TRAINING AUDIO OVER THE BACKING TRACK AND IT LINED UP PERFECTLY

Tempted to actually put this on spotify so I can secretly stream it at work...

Tagging @batshit-auspol because as an Australian you're the only big account I know who might share (sorry).

Just a short video of my card weaving in progress

What kind of sorcery is this?! I can never turn more than 10 cards in sequence because they just refuse to cooperate and you have like, what, 35? 40?! HOW?!?!

40 in the tree strap above! The most I ever tried was 44 for this ramshorn strap below - that was tough, but also ok because the groups turned separately? I think my hands would murder me if I tried to go any higher on my backstrap setup though ;) I think the trick is maintaining appropriate tension!

Yeah, that one looks real nice. What did you use it for?

@diamondot speaking for myself, i just decided to learn it one day a few years ago (i had a viking phase ok) and simply started with it. It's surprisingly easy since all the info is available on the net. Honestly, i don't remember where i started since it has been so long ago and now i just browse pinterest for patterns alone. Google tablet weaving or card weaving (same thing, different names) patterns and some basic explanations and yt vids for how to turn and weave the stuff. Things like

S and Z threading are there for a reason, so mind your card orientation. Start with some easy pattern like simple wave or diamonds above, 6 - 10 cards are good for your first project. Don't lose hope in initial stage. Streching and threading all that yarn can take anything between 20 minutes and 3 hours depending on how big is the pattern and how skilled you are. Since you need some lenghts to secure ends and to turn cards, use about 40 cm more than wished lenght of your final product. Secure lose ends after threading through cards so you won't end with a bundled mess. Streching/knotting them to something is one way. Taping each card threads together or using weights (check pictures below) is another way (good only for shorter stuff though). Cards could be made out of anything as long as they have smooth edges and rounded corners. Cardboard, thicker plastic sheet, literal cards cut into squares with holes punched through them, whatever. These are mine 2 decks, minus cards i am using atm.

When you start weaving and pattern looks like a total mess, try turning cards in opposite directions. It usualy solves the problem (all that forward/backward can be a bit tricky and mirroring motions/patterns/card orientation can be confusing at first seemingly messing all your work even though you are doing everything right technicaly, just in opposite order/direction). Don't lose your hope. I still manage to mess up like first 5cm of every other work i start. It's not an issue as that start usualy gets cut off anyway (the tension is not right for at least first 4 rows, aka 1 full card rotation, until all threads go up and down at least once no matter what you do. Don't sweat it). You don't need any fancy startup either. Historicaly, people used to weave like this and this and this:

I just strech the thing between 2 chairs myself. Door knobs work as well and so does staircase railing. Wherever you have some space. Long hair clips are your friend, especialy when you are done with weaving for the day and you don't want stuff to tangle

And that's about it. Have fun 😊

I love when people post things like this, then say, “ah ha ha, it’s not that complicated! 🤗”

It is complicated. You’re just really good at it!

Hi. I may be late to reply but i'm in a weaving mood so here we are.

The thing is that the technique looks complicated due to the fact that there is 100 something and that number alone is scary. But. Actually several buts.

But number 1 - the technique is OLD. Meaning - while being somewhat tedious just like any other textile craft, it has been used and learned for a long long time and there's plenty of resources (check out links above or any youtube video explaining the process) of varying difficulty from complicated af to easy peasy lemon squeezy with closed eyes

But number 2 - there is only one core principle/step you need to understand and that is when some threads go from up to down or from down to up (aka when they cross), you need another thread going in between so they won't simply snap back again. That's it. That's the basic principle behind every weaving ever. What card weaving does compared to standard weave is that instead of a single thread going up and down in the single row, you get 2 or 3 or 4 or 6 or whatever number of threads your pattern calls for in the same row

But number 3 - the number of rows = number of cards. Simple as that. Cards turn around to make a cord like when you are twisting 2 or 4 or whatever numbers of threads to make a rope. If some of those threads have different colours, you get a repeating pattern.

But number 4 - card orientation or S/Z orientation or whatever other fancy name for the twisting direction simply means that if you turn all your card in the same way at the same time, which one of them will make the twisted rope in this / angle and which one will do that in this \ angle. That's it. That's the whole mystery between S/Z threading.

But number 5 - you can start with as little as 4 cards to make a custom set of shoe laces or a key strap or whatever and call yourself a weaver. Because you did that. And it was nice. And it was easy. You just turn and thread and turn and thread and then you keep repeating this while watching a movie or something. There's no need for the math finals level of concentration here.

But number 5 - no one, literally NO ONE starts with a pattern like this

No. Everybody starts with something like this

Keep it simple, keep it easy, make 10cm and be done if you want to. It's perfectly fine.

But number 6 - you don't need any fancy items for starting. No hooks, no needles, no loom, no anything. If you have 2 balls of yarn in different color or some remains of your old cross stitch project or whatever and some card-like stuff you won't be sad for making holes in it, you are all set. Back side of the sketch pad is good. Poker cards cut to squares are good. A sturdy enough sheet of plastic is also good. You remember that old pexeso pairs stack you didn't touch since you were 9? Guess what!

My point is that if this looks like something you may be interested in, then you can absolutely try doing it for literally zero cost other than your time.

This reminds me that I have my Thor’s Hammer tablet weaving project still sitting in the closet untouched for the last few (almost 3?) years...  I need to get back to that eventually.

@cryptid-extremist found it for ya! Go wild!

@hauntedbyyarn you've talked about this for ages!

I need to show you guys my mum's card weaving.... She writes with it. She does incredibly incritate patterns. It's stunning and beautiful and I am in awe

A small selection of my mum's work! She got excited and says she has more to show you guys, and some of her best stuff has already been sold! But stay tuned for more. The blue/pink/black band is my favourite: loads of different knot-like patterns going all the way down!

i hate seeing people drink the openai/chatgpt koolaid 😭😭😭 genuinely feels like watching someone get seduced by scientology or qanon or something. like girl help it's not intelligent it's Big Autocomplete it's crunching numbers it's not understanding things i fuckign promise you. like ohhh my god the marketing hype fuckign GOT you

So wait are livestock guardian dogs to their flocks like… Clark Kent among the residents of Smallville? He’s been here since he was a baby, we all know him, and he’s… generally one-of-us shaped, uh, approximately. And then when something goes wrong he suddenly leaps into action and does some terrifying impossible shit none of us could do. And then comes back home and settles in like nothing happened and he’s one of us again.

Beginning the process of marking: “prefer not to answer”. On all questions about my race, ethnicity and gender. As a cis white person I don’t need the protection of ambiguity, but I want that ambiguity to continue to exist as a shield to others.

Art forgery is the best crime tbh. It requires absolutely incredible artistic talent, technical skill, and attention to detail to make convincing fakes. Does anyone get hurt from it? No! The only people who suffer for it are the extremely wealthy who want the prestige of having original paintings in their own homes. It’s full of international intrigue and mystery. Perfect.

Also… art forgers like van Meegeren sometimes become a kind of folk hero. A swindler, sure, but a gentleman’s swindler.

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cipherface

I liked this guy’s story, Mark Landis, who conned several dozen museums into displaying his forgeries, but when the FBI came after him they couldn’t do anything because he had always given them away as donations. They said if they could have found that he’d ever taken anything in exchange they would have prosecuted him, but all he wanted was get to out of the house and meet people.

“The first painting Landis “donated” was a copy of a work by Maynard Dixon, an artist well-known for his paintings of cowboys and Indians. It started as impulse, Landis says, but then “everybody was just so nice and treated me with respect and deference and friendship, things I was very unused to — I mean, actually not used to at all. And I got addicted to it.”” And it looks like all his forgeries are done with cheap materials, like markers and Hobby Lobby frames.

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adios-toreadork

Ok, but Wolfgang Beltracchi is probably one of the best Fraud Artists in the world.

His career brought him millions upon millions of dollars and lasted almost 40 years. He finally admitted to painting fraudulent art after the white paint he used came under scrutiny. 

Bob Simon: What do you think this Max Ernst would be worth? Wolfgang Beltracchi: This one? Simon: Yeah. Beltracchi: $5 million, I think. Simon: $5 million.  And you can do it in three days? Beltracchi: Yeah, oh yes, yes, sure, or quicker” -From a 60 minutes interview with Bob Simon

In The interview with Beltracchi, he said that none of his forgeries are copies, they’re all original works that the famous artists could have painted.

“Beltracchi estimates he has done 25 Max Ernsts. He is not copying an existing work. He’s painting something he thinks Ernst might have done if he’d had the time or felt like it.”  -  The Con Artist: A multi-million dollar art scam

His wife was also in on the scam, she would dress up in old clothing and take pictures holding the paintings with old cameras to fake proof of the paintings’ ages.

At the end of the interview with Wolfgang Beltracchi he was asked if he felt he had done anything wrong, his answer was “ Yeah, I used the wrong kind of paint”

Just … the levels of con there, the fake photos and … wow. That’s incredible. 

That’s just rapscallionry.

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