Alright, I said this in bits and pieces here and in POLOL and eventually I’m going to write something that covers the entire season with coherent sentences and screengrabs, but here it is quickly and sloppily: at this point after thinking about it a while I don’t believe it was Dabb’s fault. I think Dabb, Bobo, and Meredith to an extent tried to spend the rest of the season A. warning us of what was going to happen and B. giving us as much of what we wanted as they could.
You can see the warnings in stuff like Atomic Monsters and the Lamp Dance. The bad ending was described outright for us in Chuck’s 1st draft (15x19) and 2nd draft (15x20). The Lamp Dance was still a callout of Hays Code, but not in the way we first thought- as an explanation for past treatment- but as a warning of the future. Still being censored, this is as close as we can get.
15x03/15x09/15x18 were attempts to provide the fanbase with what they wanted. The rift over Jack and Mary had to get aired out- we got that. Then the rift had to be repaired- we got that. Then the confession- written and directed by what is basically the Destiel Dream Team, written first, treated with gravitas by cast and crew alike- crew keeping privacy for Misha so he could stay in character, the perfect callback with the handprint that wasn’t scripted but added by Dick/Jensen/Misha, Jensen actually talking about it positively after the fact. (sexy silence anyone?)
15x19 is so all over the place I feel like it’s going to take multiple rewatches to even begin to get into, but this has Buckleming smeared all over it. It’s typical of them- plot holes, convoluted explanations, and Mark Pellegrino. I’ve seen the Jack is Chuck meta and I like the hell out of it. It wouldn’t surprise me if DabBobo and Alex had slipped it in intentionally on the sly, but I guarantee it didn’t come from BL. The stance maybe, but the shrug? The smile? Too close for comfort and too minute for them to even think of while they’re busy jerking off over angel CGI effects. Regardless, I don’t think Dabb had much control of this episode. This is when the Network/Shit Tier (BLS) takeover of the ending circumstances really kicks in.
Then we come to 15x20. This is the part that is stuck in my brain and won’t let go.
There are little things I could get into here in the beginning, like the fact that Dean’s room is sloppy and he obviously doesn’t care to fix it, the multiple alcohol bottles and pill bottle strewn about, the hammer directly above Dean’s head as he wakes up. But what I want to address is the Pie Scene and then what happens directly thereafter.
So Pie Scene. First off we get:
“Oh, I don’t have a choice. this is my destiny.”
Haha! A funny joke about how Dean loves pie!
Or is it an uncomfortable reminder of being inescapably bound to someone else’s will, the theme of the entire god damn season??
Then: Direct pan to “Dabb’s Pies.”
THIS is the scene he puts his name on. This is where he says “Hey, I wrote this.”
Then:
“I’m thinking about Cas… Jack… You know. If they could be here.”
“Yeah. I know, I think about ‘em too. You know what, that pain’s not gonna go away, right? But if we don’t keep living, then all that sacrifice is gonna be for nothing.”
This is Dabb’s last gasp. The last actual heartfelt thing he was allowed to say. Keep going, don’t let it break you, but remember what was there all this time.
And then another funny pie joke. But this one, this is what broke me. Let’s break it down.
Pie is used as a metaphor on the show for Dean’s happiness. And these are Dabb’s Pies, right? So these pies are Dabb’s writing and Dean’s happiness. What happens to the pie? It gets slapped in Dean’s face. Embarrassing, right? Dean’s happiness, right there in front of him, close enough to taste. Dabb’s writing, wasted in a puerile insult to Dean by Sam. Now, who does Sam represent in the God-Network metanarrative? Jared, obviously. And what is Jared right now? That’s right, he’s Network Golden Boy, Walker: Texas Ranger. That guy getting shoved in your face during every single ad break. The embodiment of the demographic that’s being catered to by the rest of the ending. Meanwhile, who’s that laughing in the background? Yes, it’s Robert Singer, the Long Arm of the Network, King of the Bronlies. Laughing at Dean not ever being able to get his pie, not even at the very end.
Wrapping it back up; Dean’s pie (Dabb’s writing/Dean’s happiness) is wasted/ruined by slapping it in Dean’s face (insult/embarrassment to Dean as a character) by Sam (Walker) while Singer (the Network) laughs in the background.
So we’ve gone through what is basically Dabb waving his arms and screaming “you better watch out you better watch out You Better Watch Out YOU BETTER WATCH OUT”. What do we cut to next?
A MOTW attack, better known as the show’s standard cold open. That’s right, folks, this is not the same episode anymore. This is how the generic week to week filler episodes so beloved by the Network/Shit Tier (BLS) begin. This is their episode now. Replete with ridiculous Party City vamp-mimes and the gruesome offscreen death of a nameless woman. We’ve all seen this show before. This is the show that thinks Dean is a character from Star Wars and not Dostoyevsky. This is the Sad Dead and Car Winchester show, when it hasn’t actually been that for years. The culprits? Named and blamed in the very first words in the very next scene:
“Singer and Kripke, FBI.”
And the rest is… Well, you saw it. Need I say more?
Now, yeah, Dabb may have “written” the entire episode, but there’s such a disconnect that I simply cannot believe that this mess was created by him. I think he was told what the ending had to be, tried to make it work, failed because it’s FUCKING AWFUL, and then said “fuck it” and made the rest of the season about trying desperately to show what it was meant to be.