I’ve seen some people on here express interest in making their own clothes, and I recently discovered this database for plus size/size inclusive sewing patterns and wanted to share.
All of the patterns/brands on the list accommodate at least a 60 inch hip measurement, though the actual size ranges and other measurements vary, and there’s even a search function that allows you to plug in your own measurements (both imperial and metric) and find brands that can fit them. The site also does a monthly pattern roundup sharing specific patterns that meet the sizing criteria, which I think is neat.
A lot of these *do* tend to max out around the 60-65 inch range, so it’s not the most inclusive for superfats, but it’s still waaaaay more inclusive than the big-brand sewing pattern companies tend to be.
the decrease in costuming quality over the last 20 years has been soooo precipitous & nauseating. i’m not even talking abt marvel’s cg supersuits or anything this time, look at the fabric quality, structure, layering, character, and craftsmanship of older costumes in 102 dalmations (2000) vs cruella (2021)
ever after (1998) vs cinderella (2021)
lord of the rings (2001-2003) vs the rings of power (2022)
this trend should upset you not just because it looks cheap, but because it suggests a strong anti-art and anti-labor movement in film and tv making. don’t forget costumers are unionized
I WORK IN COSTUMES AND CAN TALK ABOUT THIS MORE SPECIFICALLY
It’s not just that we’re unionized, though that absolutely plays into the financial aspect of it to a degree. There is 100% not just an anti-labor and anti-artistic sentiment, but also just an overall shift from these productions being treated as less like storytelling and performance, like they were in the past, and more like corporate investments and business endeavors. Everything is bottom line vs potential profits, marketability, and modern trends, or what will trend on tiktok, and you have to design to that constantly.
It’s also that filmmaking has developed the expectation of making movies on such a short production time that there’s no time to MAKE amazing beautiful pieces like this. A good gown may take weeks or months to complete and many rounds of fittings and mockups, and might be very heavy or restrictive to actors and limit how long they can shoot in a given costume. From my experience, things are decided on one day and have to be ready to shoot in a few weeks, and that’s only if the writers aren’t constantly having to make last second changes because the directors and producers change their visions constantly on a dime, down to the very last minute, and there’s nothing we can do as the costume team except make it happen or make a REALLY good case for why we can’t just find some cheap option fast that would work instead. So you might spend thousands on that beautiful dress only for them to completely cut the scene, change the context entirely in rewrites, or just decide they don’t like the dress and want something else.
And because directors and producers get last say, and often they have Bad Taste and want things that are modern and marketable, and often will think things look great that are actually pretty unfitting for the character or make no sense for the design of the film, they insist on bad choices that then get pushed through to the end result of the film. Actors do this too sometimes, like what happened with Emma Watson and Belle’s dress in the live action Beauty and the Beast remake, but usually only the big name actors have enough star power to swing full changes like that.
And of course, yes, there’s not enough budget for high quality work. Costumers, like everyone else on film sets right now, are expected to stretch the budgets they’re given to ‘make it work’ because so many have (in order to make the producers happy and keep their jobs). And in return, quality goes down, because in order to build a costume you need good fabric, embellishments, and labor. Good fabric costs a lot of money, embellishments cost a lot of money, hand fitting and skilled labor cost a lot of money, and costume budgets are being given none of that because the studios are incredibly strict and frugal with what they expect you to spend so they can make the most profit off of a given project, so cuts to quality end up being made somewhere in order to make up the difference and get the actors clothed.
I’ve rambled enough, but basically, yes, unions, but also there’s a lot of deeper layers that go into why these things have been declining that are all interconnected and related to the general commodification of art and framing of art as content to consume rather than stories to tell that’s happened in the past ten years or so.
and it results in VERY VERY GOOD costumers being hampered
Rings of Power? that was Kate Hawley. who also did Crimson Peak (2015) and produced costumes like this:
so it’s not always a skill issue, to be sure
To continue with “it’s not always a skill issue”, Jenny Beavan designed the costumes both for Ever After and Cruella.
It just shows what a talented designer can do with time and resources (and no interfering from directors, producers or actors).
A varying assortment of wool and silk and cotton and even some leather, use coupon code
spring2020
for 50% off your full order, worked yesterday when I bought some stuff there; https://metrotextilesnyc.com/
I don’t know a lot about sewing, but I want to make or have my mom make some linen pants & shirts for when I’m watering, because it gets to 105 here and we have mosquitos so I need to be covered. What type of linen do I buy? Also, linen pajama shorts, yes/no?
(I’ve been wearing my renfaire pants which are a linen mix, I think. But the frikking mosquitos that hide in the tomatoes get my arms)
Mood doesn’t specialize in natural fabrics but they do have basically every fabric ever made so
For wools, I cannot recommend Woolsome enough! They’re a bit more expensive then the above links, but they have a spectacular range of colours and weights, as well as diamond pattern and herringbone weaves. They also have a range of linens, though not as extensive.
Isabelle Adjani photographed by Hubert Fanthomme behind the scenes of the play 'La dame aux camelias’ at the Alfredo Arias Theatre Marigny in Paris, 2001
I just want to share that I followed your instructions on circle skirts to make a knee length skirt, and then sewed long black lace around the inner circle so it drapes down to my ankles and it is now one of my favorite garments that I own.
Anonymous
That is fantastic! Would love to see pictures. Keep creating.
Anonymous