Charles Paul Renouard - Beauty among the Devils, on the Roof of Notre Dame, Paris (1900)
CORSET-BODICE AND SKIRT Mid-17th Century MAGYAR NEMZETI MÚZEUM (Hungarian National Museum) Budapest, Hungary
Earlier researches attributed the costume to Pál Esterházy’s (1635–1713) first wife Orsolya Esterházy (1641–1682) and later to his second wife Éva Thököly (1659–1716). The original owner can no longer be traced but the cut and the embroidery ascertain that either could have worn it at her wedding. The suite was restored by Mrs Sándor Borsi between 1969 and 1971.
St. Alexander Nevski. 18th–19th century. Credit line: Munsey Fund, 1927 https://www.metmuseum.org/art/collection/search/195959
Dress
c. 1905-1906
Steen & Strøm
The National Museum of Norway
Beaux-arts des modes, no. 3, avril 1925 (New York, Paris, London, Milano, Wien, Bruxelles). Bibliothèque nationale de France
(138.) Promenade dress of dark and pale Georgette with gold embroidery. Self band let-in front. Godet tunic ascending on the left. Material loop. Atelier Bachroitz.
Large antique hand-carved wooden trompe l’oeil panel from a horse-drawn hearse, c. late 19th century. Salvaged from a Victorian funeral carriage.
the final curtain
helen (hay) whitney, ca. 1898, by frances b. johnston.
Vincent Van Gogh
"Un par de botas / A Pair of Shoes"
L'Art et la mode, no. 17, vol. 10, 23 mars 1889, Paris. Initial letter. Bibliothèque nationale de France
L'Art et la mode, no. 5, vol. 55, 5 mars 1934, Paris. Bibliothèque nationale de France
Mlle Mireille Ballin, la célèbre vedette de cinéma portrait récemment cette très belle robe en satin blanc de soie artificielle.
Gown of white artificial satin worn by Mlle Mireille Ballin.
Jane.
Photo Georges Saad.